![]() ![]() I must add the solid-state circuitry keeps the weight down while maximizing the tone of the amplifier. ![]() All of the knobs come with the brand’s hieroglyphics. There’re knobs for volume, gain, and overdrive. After all, that’s part of what the Crush line intends to offer. The control cluster is as easy as it gets. Also, there’s nothing else on the back other than the power outlet and the power switch. In particular, it’s a cabinet-simulated headphone output, which allows you to practice in silence while enjoying the full quality of the sound. The top panel has a mono input plus a ¼’’ headphone output. Overall, the construction ensures your amp remains solid, articulate, and durable. There’s the classic 1968 Orange Vinyl or a newer version with black color and a darker vinyl cloth.Īnd within the vinyl cloth, you’d find the custom-made Voice of the World speaker. That said, the construction can sustain years of abuse while also delivering an elegant look.Īlso, Orange offers the amplifier in two alternatives. Around the speakers, the amplifier has aluminum and metal. The enclosure has a woven speaker grille cloth encased behind basketweave vinyl. Its small size doesn’t mean the construction is subpar, though. It’s a tiny box as it’s the smallest solution of the new 2015 Crush line. The Orange Crush 12 is about 1 foot tall. Orange names them “Voice of the World,” and they represent the best part of the item with their punchiness and articulation. The combo features a single channel, a 3-band EQ, and an Overdrive control to swap between clean and vintage crunch tones. Moreover, these amplifiers shine on their near tubular -analog- tone, putting them on par with the best digital members of Marshall, Boss, or Roland. The lineup delivers top-tier solid-state quality and ease-of-use. The Crush 12 is the smallest model of the Crush series. We reviewed the aforementioned Brent Hint’s Orange amplifier as part of the best loudspeakers for metal genres. He was a professional recording tech of an underground studio until he turned the studio into a music shop. Musician Clifford Cooper founded Orange back in 1968 in London, England. Instead, the 2015 combo amplifier sports 12 watts of solid-state circuitry, a single channel, and the Orange tone you may come to love. It doesn’t present itself as a 120-watts stack powering the rock to the whole scenario. Now, the Orange Crush 12 is not a professional option. Moreover, Orange amplifiers have a unique tone signature, and so there’s nothing else that sounds like it. ![]() Their reputation goes along with the fat, dirty, powerful tones they create. Such a list includes Led Zeppelin’s Jimmy Page, Oasis’ Noel Gallagher, Mastodon’s Brent Hinds, and even Ricky Tillo (a member of Lady Gaga’s onstage bands). That’s because legendary rock players have taken Orange gear to the highest stages and most prestigious record studios. The brand’s amplifier range has a top-tier reputation. That said, we’re reviewing the modest Orange Crush 12, an entry-level solid-state guitar amplifier that serves as a first-timer gear. As such, you can expect the creamy British Invasion rock coming out of their loudspeakers. ![]()
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